English
See More
The Blues King Burn takes our standard Blues King and gives it greater overall gain range. So all the same sounds are there, but it's tailored more for mid-gain tones than the stock unit.
The BLUES KING overdrive pedal is the perfect tool for sculpting low-to-mid gain tones, pushing your amp into its sweet spot. The EQ curve of the tone controls prevents the tone-masking flaws of many overdrive pedals, preserving the full tonal palette of your guitar and amp. We took the circuit a step further by letting you tailor the precise character and compression of the drive circuitry, making the BLUES KING capable of dialing in your own signature overdrive tone.
LEVEL - controls the output of the pedal
DRIVE - controls the amount of gain/drive
TONE - controls the treble response of the overdrive. Clockwise = more treble
A - L - S - toggles between asymmetrical (A) and symmetrical (S) overdrive modes
DIST - transitions between asymmetrical (A) and symmetrical (S) clipping, with the least amount of compression around 12:00
BASS CUT - controls the pre-gain bass response. Counterclockwise = more bass
INTERNAL CONTROL - the sole trimpot on the main effect board controls the amount of compression of the A & S overdrive modes.
POWER - Accepts the industry standard, 9 to 18 VDC, negative-tip power supply. Also can be powered with a 9V battery.
Martin Short Scale Acoustic Guitars: A Perfect Fit for Small-Handed Players
Why 1946 Martin Guitars are Highly Sought After by Collectors ?
Why Martin 28V HD Guitars are Worth the Investment
